Pick up classic Hitchcock thrillers all this week, only in The Times

So, what do you think is the most important and influential car ever to be
sold in Britain? The Lamborghini Miura? The Model T Ford? Or the Volkswagen
Golf GTI perhaps? You could make a fairly rock-solid case for the old Volvo
200 series, the first cars to be sold on safety. But then you could also
argue it was the Citroën DS, or the E-type Jaguar or the Mini. The answer,
however, and I’ll take no argument on this, is the Datsun Sunny.
There
are those who say the Japanese never innovate. That all they do is take
western ideas and make them more cheaply, and faster. But actually, when it
comes to cars, the Japanese motor industry came up with the greatest
innovation of them all.
Until the nondescript little Datsun
arrived on our shores in 1969 there was a general consensus that cars were
bound to break down every time it was too hot, too cold, too windy or too
wet.
On a chilly November morning the whole country would echo to
the sound of tortured Ford starter motors and clicking Lucas solenoids
hopelessly trying to breathe a little life into the nation’s engines.
Cars
were made up of 15,000 parts and it was inevitable that from time to time
some of those parts would stop working. But then along came the Datsun,
which demonstrated that actually this needn’t necessarily be so. It worked
even when the weather had broken down completely. And it kept on working,
faultlessly, for year after year after year.
Of course there were
many people who refused to take Japanese cars seriously, because only 25
years earlier the people who were making them had put Alec Guinness in a
box. But why is there still resistance today? Why do you buy a Volkswagen or
a Ford or an Alfa Romeo when you know damn well it won’t be as reliable as a
Toyota or a Subaru or a Honda? Would you buy a deep freeze if you knew, with
a fair degree of certainty, that it would spend its evenings turning your
bread into bacteria? Would you buy a television set if every single piece of
market research and every single survey had found that it kept going all
fuzzy. No, of course you wouldn’t.
But, and this is the
weird part, you would buy a watch and be happy with it even if it lost an
hour a day and the strap kept breaking. And I know you bought a mobile phone
that doesn’t work every time you go behind a tree. And actually, come to
think of it, I bet half of you have plasma television sets that ceased to
function after a year or so.
You knew that was going to happen.
You’d been told by newspaper reports and friends but you went ahead anyway
and spent thousands on something that you knew would break about seven
minutes after the guarantee ran out.
Why? Because a plasma
television set looks as cool as your snap-shut, brushed-aluminium mobile
phone which in turn is as “now” as your multi-dialled but useless watch.
This
is the problem with motoring. A few years ago we emerged from the four-door
saloon period when cars were tools, fridge-freezers, white goods with
wheels, and into a time where cars became fashion accessories. The advent of
the hot hatch and then subsequently the SUV, the MPV, and the sudden
re-emergence of two-seater convertibles means that you don’t simply buy a
car to do a job. You buy it to make a statement.
Take the Smart as
a prime example. It’s a ghastly, asthmatic little thing with a godawful
gearbox and the go of oak, but it makes you look fresh and young and
on-message. It’s the same story with the Mini. By any rational standards
this is a terrible car with a boring engine and no space in the back. But
the signals it sends out are that you’re not wearing any knickers. Whereas
the signals sent out by the Toyota driver are that they’re big and sensible
and possibly grey.
Think about it. I used to love Ferraris when
they came at you like an Italian waiter, waving their arms about and losing
their temper and then, just when your food was ready, popping outside for a
fag. And forgetting to come back. But now that we see the damn things
marching round the world’s racetracks every other weekend, never going wrong
— ever — they’ve become, dare I say this, a bit boring. I suspect they may
even buy their underwear at Marks & Spencer.
So actually,
then, the last thing you want from a car is something reliable. Something
that does well in Which? magazine surveys. Something that’ll never break
down. Because then you’ll be tagged as a dullard.
What you
really need, if you want to come across as moody and interesting, is
something desperately unreliable.
At this point I should draw your
attention to the recently published BBC Top Gear Magazine customer
satisfaction survey. This is the largest independent motoring survey of them
all, and my God there are some boring cars at the top.
If we
exclude the Honda S2000 that won it, and the Jaguar XJ, which came second,
we find the upper reaches of the chart are peppered with Skodas, Toyotas,
Hyundais, Lexi and even, heaven help us, the Mazda 323 — an avocado bathroom
suite in a Barratt home if ever I saw one.
Interestingly, the
Mercedes M-class came last, chiefly because the dealer network is so
appalling but also because it’s made in Alabama, where the locals are good
at picking cotton, singing mournful songs and listening to Lynyrd Skynyrd
but not so good at attaching complicated pieces of machinery to one another.
However,
if you’re trying to convey a devil-may-care attitude with your next car,
don’t bother with Mercedes. Or Fiat, or even Renault. Because the marque
that came last in the overall survey of 53,000 motorists is Peugeot.
I
wasn’t taken by the 407 saloon mainly because of the gutless 2 litre diesel
engine that was in my test car. The smaller 1.6 they sent in the 407SW (the
estate) was much better, quieter and less likely to run out of oomph when
you need it most. What’s more, while the saloon is handsome in a
boy-next-door sort of way, the estate really does have the looks of a
square-jawed matinee idol. Sadly, it still has a fairly crummy driving
position, but I must say I loved the glass roof and the tailgate that opens
in two parts. If you only want to throw a pair of wellies in there, you just
open the back window.
It gets better. This is an extremely
comfortable car, gliding over bumps and ridges that would have any German
rival shaking with the effort, and, for a large estate costing less than
£18,000, it’s very well equipped. The door mirrors, for instance, fold
themselves away when you lock it.
This then is a car that offers
the style-conscious motorist just about everything. We can see, as you slide
by, that you must have a family but that you haven’t bought an MPV, which
would mark you down as technically dead, or an SUV, which would identify you
as being Wayne Rooney.
We can also see you’ve bought a French car,
which means you’re anti-Bush, anti-war and possibly that you have a place
near Pau. These are all good things, too.
Best of all, though, we
can see you’ve bought a car that you knew full well would go wrong all the
time. This is good, too. Sit at the side of the road with the bonnet up
reading Victorian poetry and I can pretty much guarantee that every girl who
drives by will want to sleep with you.
Vital statistics
Model Peugeot 407SW SE HDi
Engine
type Four-cylinder, 1560cc turbo-diesel
Power 110bhp
@ 4000rpm
Torque 180 lb ft @ 1750rpm
Transmission
Five-speed manual, front-wheel drive
Fuel/CO2
50.4mpg (combined) 148g/km
Tyres
215/55 R17
Insurance
Group 8
Performance 0-62mph: 12.1sec
Top
speed 117mph
Price £17,900
Verdict
The perfect car for the style-conscious motorist
Rating
3/5
my best mate has just bought one [peugeot 407sw] so thought I would get an unbiased look, starting with JC [Jeremy that is]
14 pages later,enduring JC's waffle, albeit with some truths, in particular the reliability and value of Japanese cars, I finally got to the specialist part. If I had blinked I would have missed it!
There is an admirable speed advert in OZ that encourages young ladies to waggle the little finger at their boyfriends when they are tempted to show off...why did I get reminded of that in this review?
reference the "remember me" box...no way hoseye!
ian underwood, perth, west australia